Holding Things Loosely

Holding Things Loosely

Article by John Allen

Having written earlier about how attending the funerals of those who have died unexpectedly or prematurely can often increase our awareness of wanting to live a more meaningful and deliberate life, that only happens for those not intimately connected. For others, like immediate family who are closely affected, the death of a loved one in the “prime of life” can raise more serious questions, such as “why did this have to happen?”.

There are no easy answers, and for people of faith, it is sometimes even more perplexing, not just when a death occurs, but during other times of adversity. The lack of satisfactory answers to “how could God let this happen?”, “where is He in all this?”, or “why does God seem so distant, silent and indifferent?” is troubling to say the least.

We really have only two choices. Either we don’t believe there is a God at all or else we do believe. In the first scenario, life has no real meaning, so it’s absurd to even ask the question “why” because “why” is irrelevant. We’re just stuck with accepting that “stuff happens, and though we can try and manipulate outcomes, it’s largely outside our control”. On the other hand if we do believe, then the questions are legitimate. One might suggest there are more choices such as “well yes there’s a God, but He’s not involved”, however, that makes less sense than going with the first choice, simply because it’s contrary to everything He’s revealed about Himself.

Since it’s not the point of this post to get into apologetics and debate the existence of God, I’ll move on, but for those who haven’t really done an honest investigation of their own to decide for themselves, I would recommend reading some of C. S. Lewis’s books, starting with “Mere Christianity”. Lewis, a British scholar and professor at Oxford and Cambridge, has written more than 30 books including “The Chronicles of Narnia”. He was early on, an atheist who set out to disprove Christianity, and ended up a devout Christian. But even so, he ended up struggling to understand and accept adversity in his own life. He married in his later years, and his wife died after being with him a relatively short time. In fact he only lived a couple years after her death. Though he did accept her dying, he was so close to her, and felt such an incredible sense of loss, that he may have lost the will to embrace life without her.

I said earlier, there are no easy answers, and there simply aren’t. What I’ve observed is that we have enough information to support a belief in both God and His revelation through Christ, that He is a loving God that cares about His creation, and is certainly concerned and involved in this world. We also know this world isn’t operating according to original design and will eventually pass away. In the meantime, we all have a choice to make – namely do we trust Him. It’s a purely binary decision, either believe or don’t – there is no grey area. However, we absolutely don’t have all the answers and never will in this life. The parts we don’t understand are what faith is all about. It’s like when Christ asked his disciples if they were going to bail out on Him too, and Peter responded with “where else would we go”. That’s the crux of it – there is no better alternative.

God seems to be much more concerned with our individual relationship with Himself than with anything else, including just about everything we hold onto in life. It’s easy to get focused on a lot of other pursuits, such as money, power, health, possessions, relationships, making ourselves happy, and so on. Most things are neither good nor bad in and of themselves, but any of them can be a problem if we hold them too tightly. If we were to do an honest self-assessment of everything we have or spend our time on, asking the questions, “could I do without this?” or “what would happen if this was taken away?”, it would probably be most revealing.

The ability to hold things loosely, with hands unclenched, allowing them to come and go as they please will get us further along the road to understanding and accepting adversities in life than just about anything else. It means we consider ourselves simply stewards of everything as opposed to owners of anything, counting on nothing save our sure relationship with the Almighty.

Accepting all this is fairly easy when we aren’t the one going through the tough times. But when we are the one whose prayers seem useless, can’t hear God anymore, maybe even doubt He’s there, and are beat down with no light visible at the end of the tunnel, it can be nearly impossible to accept anything that doesn’t just fix whatever is broken. Any words intended as encouragement will more often sound like platitudes from someone who doesn’t understand. About the only useful thing one can do to help is just be there and listen. In his book “The North Face of God”, Ken Gire talks about this coming along side people who are suffering, not to provide any answers, but just to walk with them and help wherever possible.

At the end of the day, we are never going to get answers to all our questions. We can choose to stay in limbo, or move on. Even Job didn’t get an answer to his undeserved suffering. Instead, God asked him, in so many words, “where were you when I created this world, and who are you to question it?”. Harsh sounding, until one stops to consider what God was getting at. We have that marvelous thing called “free will” and He apparently goes out of His way not to interfere with our choices. We have enough data to make a choice and no more. Again, that’s why it’s called faith. Pushing everything else aside, sometimes it just comes down to answering His question: “Will you accept Me as your God, even if I don’t answer your question or fix your problem?”.

Maybe our challenge is really to take God out of the box we keep Him in and let Him be God, realizing that if the created understood everything about the creator, He wouldn’t be much of a God. When one stops to think, it is rather absurd to think that the finite can comprehend everything about the infinite. We have enough to choose and that’s what He leaves us with – at least in this world.

John Allen writes on a wide variety of topics. Visit his blog at http://www.downsizedlife.blogspot.com to read more or obtain feeds. He can also be reached through his website http://www.j2trading.com which focuses on finding unique gifts.










Is Music the Creation of Divinity?

Is Music the Creation of Divinity?

Article by michael walsh

Many great musicians truly believed that their pens, as they composed, were guided by a divine spirit. Beethoven typically refused to take the credit for his music. For those of a mystical frame of mind there is much to ponder on. How do you describe something you cannot see? How did Ludwig van Beethoven create the most beautiful orchestrations of his music whilst unable to hear it?

Beethoven’s death, in common with several other great composers, is threaded with mystery. As the Grim Reaper embraced this shabbily dressed irascible genius there broke over the Viennese night the most violent and terrifying electrical storm. The city cowered as thunder and lightning split the heavens. Beethoven, lying semi-conscious on his bed, was heard to murmur, ‘I shall hear in heaven’. He raised his arm as though to salute the afterlife and departed. The storm immediately began to abate.

His funeral cortege brought this great European city to a halt. Schools and businesses closed; life held its breath and upwards of 30,000 people lined the streets to pay homage. Among the throngs the great Franz Schubert who was to follow the great master to the grave just 12-months later.

Nearly two-hundred years on and the renowned flautist James Galway is adamant that the edge to his virtuosity is sharpened by God’s intrusion. When discussing his ambitions Galway agreed that they were limited: “They are merely that I should leave good memories behind me; that people should feel when they recall my name, that in some odd inexplicable way, they have at sometime heard the voice of the Infinite through me.”

LUDWIG VAN BEETHOVEN

Ludwig van Beethoven was just twelve years old when his virtuosity inspired his kindly mentor, Christian Gottlob Neefe, to present the talented child to the Elector of Cologne, Maximilian Franz: “He is, I believe, touched with genius.”
“Quite a word to use of one so young,’ said the Elector: ‘You must not let this go to your head, young man,’ he added looking directly at Ludwig.
Ludwig spoke in a firm, clear voice: ‘Sir. I have a gift that people say comes from God. I believe that to be true.’

“The Lord and I are on speaking terms, and our bickering most often gets penned onto a piece of parchment.” – Beethoven.

AMADEUS MOZART

The tremendous storm that consumed Vienna at the time of Beethoven’s spirit readying to leave his form may be dismissed as coincidence. Yet a similar freak of Nature occurred as Wolfgang Amadeus Mozart’s hearse was being trundled to his final resting place: “The hearse, with the few mourners, then proceeded to St Mark’s churchyard, but before the burial place was reached a terrific storm of snow and rain burst overhead, and with one accord the mourners turned back, and left the hearse to proceed alone. And thus the master, of whom it was prophesied that he would cause all others (composers) to be forgotten… was left to be buried by the hands of strangers in a pauper’s grave, without even a stone to mark where he was laid.” – Francis Jameson Rowbotham.

When a little older he (Beethoven) arrived in Vienna for the first time, he looked forward to meeting yet another great musician; Wolfgang Mozart. Music, he thought, the highest art, coming directly from God. How many men have such a calling? In Bonn one alone. In Vienna one alone. And now I will meet him. At last! – The Last Master. John Suchet.

“When Mozart was inspired to write Idomeneo or The Magic Flute, he was in touch with God.” – James Galway, Flautist.

FRANZ SCHUBERT

Of Franz Schubert Beethoven surmised: “Truly, the spark of Divine genius resides in this Schubert”. / “.. the composer nearest to God”. – Artur Schnabel

JOSEPH HAYDN

“It seems as though God gave me a cheerful heart, so I’m sure He’ll forgive me if I serve Him cheerfully.”

“Whenever I think of God I can only conceive of Him as a being infinitely great and infinitely good. This last quality of the divine nature inspires me with such confidence and joy that I could have written even a miserere in tempo allegro.”

GIACOMO PUCCINI

“God touched me with his finger and said ‘write for the theatre, mind you – only for the theatre’… and I’ve been faithful to this supreme command.”

GEORGE FRIDERIC HANDEL

“A Lady being very musical, was invited by him (Handel) to a private Rehearsal of the Messiah, and being struck with the Exceeding dignity of expression in the Choruses, and other parts of ye oratorio so inimitably set to the sacred works, after the musick was over she asked him how it was possible for him, who understood the English Language but imperfectly, to enter so fully into the sublime spirit of the Words. His answer is I think a lesson to all composers, at least of Sacred Musick;
“Madam, I thank God I have a little religion.”

On composing Messiah, Handel is said to have remarked (1741):”I did think I did see all Heaven before me and the great God Himself.” On another occasion, Handel whilst writing the Messiah, when speaking to a servant at the hotel in which he was staying: “Once he had finished the hallelujah chorus he spoke to the servant, ‘The lord spoke to me and hath said ’twas not I who wrote this but on accord of Him.’

RICHARD WAGNER

“I am being used as the instrument for something higher than my own warrants. I am in the hands of the Immortal Genius I serve for the span of my life and his intention that I complete only what I can achieve.”

“An atheistic upbringing is fatal. No atheist has ever created anything of great and lasting value.” – Richard Wagner in conversation with Engelbert Humperdnck in 1880: quoted in Arthur M. Abell, ‘Talks with Great Composers’ (1955)

CHARLES FRANCOIS GOUNOD

“How do you think of those lovely melodies?” asked a female admirer of Charles Gounod: The master replied: “God, Madame, sends me down some of his angels and they whisper sweet melodies in my ear.” – James Harding, Gounod (1973).

JOHANNES BRAHMS

“I know several young composers who are atheists. I have read their scores, and I assure you, Joseph, that they are doomed to speedy oblivion, because they are utterly lacking in inspiration. Their works are purely cerebral. No atheist has ever been or ever will be a great composer.” – Johannes Brahms in conversation with the violinist Joseph Joachim (1831 – 1907). Quoted in Arthur M. Abell: Talks with Great Composers. (1955).

DINU LIPATTI

Half an hour before he died he (Dinu Lipatti) was listening to records of Beethoven’s F minor Quartet. To his wife he said: “You see, it is not enough to be a great composer. To write music like that you must be a chosen instrument of God.”

Walter Legge, the impresario was later to remark of Dinu Lipatti: “By the same light we may say it is not enough to be a great pianist: To play as Lipatti played you must be a chosen instrument of God. God lent the world His chosen instrument whom we called Dini Lipatti for too brief a space.”

ANTONIN DVORAK

‘Life was a very uncomplicated thing to him. Instead of turmoil or neuroticism or dark brooding, we encounter a simple and sincere piety, such as only the deeply religious man is capable of.’ – A writer’s observation of the Czech composer.

JAMES GALWAY

James Galway is an internationally acclaimed flautist. He says: “Nothing pleases me more today than when somebody says to me: ‘You know, Jimmy. You can hear God in your playing.’ It delights me to think that in some small way I am a link between God and whoever is listening.”

“What I had to do instead, I decided, was to make sure I represented the composer properly to the world. Or to go and bit deeper, the composer’s inspiration, which obviously came from God.”

HERBERT VON KARAJAN

When asked where did his talent come from? Herbert von Karajan, the formidable Austrian-German musician and conductor was equally forthright: “I was given special tools, special talents. I never had any doubts that my talents came from the Creator. My duty to Him is to exploit them to the fullest. My ambition is to make music as perfectly as possible and reach as many people as possible.”

“You don’t need faith to believe in God, because there are plenty of signs available of His existence. Mozart wrote a symphony as a child. Heredity cannot account for this. There is only one explanation: the Creator chooses people as His instruments to produce some beauty in a world that is all too ugly. “

MICHAELANGELI

The renowned Italian Classical Pianist: “I’m nothing but a priest of god’s music.”

ANTON BRUCKNER

That Bruckner felt inspired by God is to state the obvious. In addition to the vocal religious works, he dedicated his 9th Symphony “To our Beloved God” (although it’s said that he modestly appended ‘if He’ll accept it’). Anton Bruckner did make it clear that he also considered his view of the Day of Judgement as part of his perspective. Another of his quotes: “When God calls me to Him and asks me: ‘Where is the talent which I have given you?’ Then shall I hold out the rolled-up manuscript of my Te Deum and I know He will be a compassionate judge.”

“They want me to write differently. Certainly I could, but I must not. God has chosen me from thousands and given me, of all people, this talent. It is to Him that I must give account. How then would I stand there before Almighty God, if I followed the others and not Him?” – Anton Bruckner.

The debate over whether these great men of music were swayed by their religious convictions or by a deity will be hotly debated without of course anyone knowing the intriguing answer. Until then perhaps it is just best to ponder on that which isn’t as yet ours to know.